It knows the relationship between the original camera negative, the transferred videotapes, and the captured video clips on the editing computer. Using Final Cut Pro with Cinema Tools does not change the process of exposing the film in the camera or projecting the final movie in a theater-it's the part in between that takes advantage of the advances in technology.Ĭinema Tools tracks all of the elements that go into the making of the final film. Armed with this list, a negative cutter can transform the original camera negative into the final film.įor many, film still provides the optimum medium for capturing images, and if your goal is a theatrical release or a showing at a film festival, you will need to provide the final movie on film. Once you are finished editing with Final Cut Pro, you can use Cinema Tools to generate a cut list based on the edits you made. Cinema Tools tracks the relationship between the original camera negative and the video transfer. The challenge is in matching the timecode of the video edits with the key numbers of the film negative so that a negative cutter can accurately create a film-based version of the edit. They provide the information needed to cut and splice (conform) the original camera negative into the final movie. The final edited video is generally not used-the edit decisions you make are the real goal. The flexible nature of an NLE makes it easy to put together each scene and gives you the ability to try different edits. Transferring the film to video makes it possible to use a nonlinear editor (NLE) to edit your project. How Does Cinema Tools Help You Edit Your Film?Įditing film has traditionally involved the cutting and splicing together of a film workprint, a process that is time consuming and tends to discourage experimenting with alternate scene versions. For filmmakers shooting with 35mm or 16mm film who want to edit digitally and finish on film, Cinema Tools allows you to edit video transfers from your film using Final Cut Pro, then generate an accurate cut list that can be used to finish the film. Until recently, this sort of tool has not been available to filmmakers on a limited budget.Ĭinema Tools provides Final Cut Pro with the functionality of systems costing many times more at a price that all filmmakers can afford. Most feature-length films are now edited digitally, using sophisticated and expensive nonlinear editors designed for that specific purpose. For NTSC, this includes a Reverse Telecine feature that removes the extra frames added during the 3:2 pull-down process commonly used when transferring film to video or when downconverting 24P video.Ĭinema Tools works with Final Cut Pro to provide tools designed to make both editing film digitally and working with the emerging 24P high definition video standard easier and more cost effective, providing functionality previously found only on high-end or very specialized editing systems.Ĭomputer technology is changing the film-creation process. Cinema Tools also provides tools that enhance Final Cut Pro's ability to edit video at a 24 frames per second (fps) rate, such as the import and export of 24 fps Edit Decision Lists (EDLs).Īlso provided is the ability to convert captured video clips to 24 fps video. Cinema Tools includes a sophisticated database feature that tracks this relationship regardless of the video standard you use, ensuring that the film can be conformed to match your Final Cut Pro edits. For editors and filmmakers who specifically want to shoot and finish on film or 24P high definition video, Cinema Tools for Final Cut Pro becomes an essential part of the post-production process when editing with Final Cut Pro, because it allows you to convert between different formats.įor example, when working with film you need to be able to track the relationship between the original film frames and their video counterparts. Projects are often shot, edited, and output using completely different formats at each step. In today's post-production environment, it's common for editors and filmmakers to find themselves faced with a confounding array of formats, frame rates, and workflows encompassing a single project.
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